Eugene I wrote: ↑Sat Mar 20, 2021 1:15 am
JustinG wrote: ↑Sat Mar 20, 2021 12:57 am
But in terms of "arguments", I'm yet to see an argument from you as to why your faith in Nietzschean heroic individualism should not be regarded, like other 'truths', as a product of social and historical circumstances.
One of the most profound critique of the Nietzschean heroic individualism was Dostoevsky's "Crime and punishment" where Raskolnikov was a believer in the Nietzschean individualism and committed his crime primarily for the reason to prove to himself that he is the 'Übermensch', a superhuman who is above the law, as it was described by Nietzsche. Dostoevsky clearly disagreed with Nietzsche, but instead of giving philosophical arguments, he showed from the subjective and practical perspective how would it feel to be such a superhuman and how such superhuman would behave and what he would/could do to other people.
That is totally wrong. It's really a shame that some people today still fail to understand Nietzsche as a
metaphysical thinker, which he clearly is. They are looking for nice, neat strawman on which to base a
political critique against individual-oriented systems of thought and a philosophical critique against any worldview which implies a
telos. Nietzsche's 'superman' was a metaphysical concept, not unlike that which we find in
every esoteric Western spiritual tradition which recognizes the evolutionary development of spirit. In fact, one of the most fascinating aspects of Nietzsche's work is the direct inspiration he drew from Dostoevsky at the end his life.
https://www.academia.edu/17612234/Nietz ... f_Nihilism
In a chapter dedicated to Dostoevsky, Brandes applied Nietzsche’s categories to the novelist, interpreting him as a particular example of the man of ressentiment while his morality was precisely the same slave morality described by Nietzsche in his Genealogy of Morality. Besides this brief comparison, however, there is little doubt that the first to draw attention to the relationship between Nietzsche and Dostoevsky were Russian intellectuals. The peculiarity of this first reception was the identification between Nietzsche’s overman with some of the main nihilistic characters (such as Raskolnikov, Kirillov or Ivan Karamazov) in the great Dostoevsky novels. This “mythopoem”, touse Grillaert’s expression (2008: 41), was generally accepted and turned into a sort of unquestioned dogma, enduring throughout the years.
It is precisely in this early period that Merezhkovsky’s L. Tolstoy and Dostoevsky (1901) appeared. Merezhkovsky’s work was particularly important for his approach, which undoubtedly wielded a strong influence over several later studies. In his view, Nietzsche and Dostoevsky were the mouthpieces of two different and opposite cultures: the Western, which was atheist and preached the arrival of the man-god, and the Eastern, which defended the orthodoxy and stood for the God-man, that is, Christ. In this way, the relation between Nietzsche and Dosteovsky was conceived as irreconcilable opposition. Merezhkovsky’s study was also very significant because it consolidated a reading that later became a sort of cliché in Nietzsche-Dostoevsky studies...
A significant divide in what we may call “Nietzsche-Dostoevsky studies” came undoubtedly in the 1970s with the three papers published by Miller (1973, 1975 and 1978) in Nietzsche Studies. Among others, Miller had the following merits: first, he proposed a precise reconstruction of Nietzsche’s discovery and engagement with Dostoevsky, establishing a reliable chronology of both; second, his analysis relied on a strict methodology based, for instance, on the reference to the original French translations read by Nietzsche; third, given his deep knowledge of the works of both the philosopher and the novelist, he was able to propose a fine interpretative reading of Nietzsche’s understanding and evaluation of Dostoevsky. Following Miller’s example, scholars have continued over the years to investigate the different aspects of the relation between Nietzsche and Dostoevsky...
Defenders of this reading usually tend to identify Nietzsche’s philosophy with the theories of the main nihilistic characters of Dostoevsky’s great novels. So, for instance, the maxim “nothing is true, everything is permitted”, which appears both in Nietzsche’s oeuvre and posthumous fragments, is interpreted as analogous to Ivan Karamazov’s idea, according to which if there is no God and no immortality of the soul, everything is permitted. Before this analogy can be accepted as valid, the following basic questions, which are generally overlooked, need to be answered: is Nietzsche really affirming that nothing is true and, therefore, everything permitted? If so, in what sense? And, on a more general level, can Nietzsche’s moral position be identified with that of Ivan? As will be shown, a deeper analysis of Nietzsche’s use of the maxim shows that the analogy is deceptive on several levels...