Federica wrote: ↑Sat Dec 28, 2024 8:41 am Of your three questions, I can only address the second and third. On the first: I haven't carefully followed the discussion about JW and I don't know Heidegger, therefore I can't say much on a few lines that I am not able to properly contextualize. In general, I would think that a remarkable quote from a phenomenologist philosopher is probably not the best example of dreaming in language, but again, I don't know the context and I can't tell.
On the weather example, I am still under the impression that we are talking about different things. Since you have not given a dialogue, featuring particular words, to illustrate that example, but only the generic flow of topics addressed, it's not possible to get a sense whether or not "mere words" have taken over the orientation of the thought flow, that is whether or not the associative attraction exerted by the word-symbols in use, has overpowered a more high-level, fully conscious, logically sustained, concatenation of thoughts. Nevertheless, beyond the weather example, I think that a dialogue entertained through visual storyboards exclusively, would work around this problem of letting word use, word associations, overpower sound reasoning, since concepts and ideas would be expressed through visual representations and pour ideal material more directly from the pictorial/intuitive flow - supposing the subjects are sensitive enough to their pictorial thoughts, and good enough at sketching to convey that flow in a compelling and dynamic way to their counterpart. The question is more complex for signed language, because some of them are pictorial, and some reproduce word-symbols through the letters of the alphabet. In this latter case, I believe the risks involved are similar to those present in spoken/written language. If the signed language has no iconicity and simply "writes" letters in the air with hand gestures, rather than with hand gestures with ink and paper, or gesturing on a keyboard, then there's no major difference. Words, and their associative attractive power, may still unconsciously influence the expressive flow, damaging the flow of meaning to variable degrees.
The point is that, no matter what verbal dialogue is associated with the intuitive meaning steered through in the weather example, the particular words are not the determining factor for whether it becomes dreamy and associative. Actually the forms in which we anchor that intuitive meaning can certainly modulate the flow of dialogue, but I think you have things somewhat backwards to begin with - if anything, a dialogue about high-level intellectual or existential questions would be much more dreamy if anchored in pictorial storyboards, because our ordinary cognition is not 'in focus' within the pictorial strata to the same extent as our ancestors. This is why we would need to add all sorts of caveats for this to even be a practical possibility for a sustained dialogue. We need to imagine how the people already developed pictorial skills, for example, which probably would have required extensive verbal instruction (if it wasn't a natural talent). For the pictures about the weather, industrial civilization, global warming, etc. to convey any refined and objective meaning, the people would have already had to thoroughly explore the verbally embodied concepts. Otherwise they would simply be dreaming their way through personal ('subjective') feelings associated with the pictures.
Generally, we need to recognize how much power we are investing in the 'word-layer' when we speak of it possessing its own attractive power, its own spellbinding magic. We are ceding way too much of our spiritual sovereignty to the perceptual spectrum, similar to modern philosophers and epistemologists who postulate fundamental limits to knowing (as JW implicitly does). What counts is always our own inner cognitive development, which of course implicates not only thinking but our whole soul-spiritual being. Feeling certainly plays a part in this development, particularly our prayerful devotion to our thinking pursuits and our cultivation of moral virtues - equanimity, charity, generosity, forgiveness, love, and so on. That is the path into the archetypal scale of spiritual activity, where thinking-feeling-willing become increasingly united. All of this is cultivated through phenomenological exploration (which of course requires extensive verbal sequences of the sort we have on this forum), concentrated meditation, and thinking thoroughly through various domains of experience. What matters is not the higher cognitive development of the author of verbal sequences, but the reader/hearer. If we inwardly develop our cognitive sensitivity to archetypal gestures, then we can mine them from even the most prosaically written philosophical or scientific treatises (because such gestures are always embedded in the outputs of human thinking).
Federica wrote:Finally, on the question of feeling language rather than thinking language, as a way to spiritual progression, there would be much to say. I was particularly referring to art forms that resound, when practiced with humility, so that they don't become mere outlets for lower nature. I believe the most direct and accessible way to spiritualize language is precisely by redeeming it through feeling (the Victoria Hanna video you recently shared is one possible entry point in this direction) whilst thinking initially gains from being set free from the attractive spell (look at this word, or, should I say, feel it) of word-symbols. With meditation and concentration, the linguistic concatenations are broken apart, only to be later re-imbued with appropriate forms, from a higher place of wisdom. Only when this starts to happen, thinking can be more easily re-pressed into language sequences, for communications that the intellect can take in. Then, the language sequences still convey something of the life of thinking. They are more free from the spell of words, and more likely to elicit fruitful intuitions in others.
On the contrary, attempting to spiritualize language from within the intellectual concatenations first, seems an herculean task without higher cognition. The development of appropriate feelings seems a more accessible, natural, and direct way. In short, it's my understanding that, for the many, the most fruitful and effective treatment of language today is to soak it with feeling, to break apart the word-symbols at their level, so to say, and let the sounds in them recover their intrinsic power. In parallel, the concentration and meditation pursuits progressively clean up the stale spells crawling within the word-symbols (words we hang from, Steiner says), from a higher level, enabling the student to consciously repurpose the worded expressions in more luminous, musical, and purer sequences. This is possible to the extent that the expression is crafted from a higher activity, taking place above the level of language. As Steiner said, through higher cognition, we have to stop thinking in language, so that we can feel language:
Steiner wrote:this is the state of affairs over a great portion of mankind. Thoughts are not there at all; men only think in words, and to think in words is no way to Michael. We only come to Michael when we get through the words to real inner experiences of the spirit—when we do not hang on the words, but arrive at real inner experiences of the spirit.
This is the very essence, the secret of modern Initiation: to get beyond the words to a living experience of the spiritual. It is nothing contrary to a feeling for the beauty of language. Precisely when we no longer think in language, we begin to feel it; we begin to have it streaming in us, and out from us, as an element of feeling. That, however, is a thing to which the man of to-day must first aspire. Perhaps, to begin with, he cannot attain it in his actual speech, but through his writing. For in respect of writing, too, it must be said: To-day men do not have the writing but the writing has them. What does it mean, ‘the writing has them’? It means that in our wrist, in our hand, we have a certain train of writing. We write mechanically, out of the hand. This is a thing that fetters man. He only becomes unfettered when he writes as he paints or draws—when every letter beside the next becomes a thing that is painted or drawn ... Then there is no longer what is ordinarily called ‘a handwriting.’ Man draws the form of the letter. His relation to the letter is objective; he sees it before him—that is the essential thing.
For this reason, strange as it may sound, in certain Rosicrucian schools learning-to-write was prohibited until the fourteenth or fifteenth year of age; so that the form, the mechanism which comes to expression in writing, did not enter the human organism. Man only approached the form of the letter when his spiritual vision was developed.
https://rsarchive.org/Lectures/Michaelm ... 13p01.html
I can say I am particularly sensitive to this linguistic spell. I learned to write very very early in life, and I know with clarity what he means, that writing starts to come from the hand and wrist. In a similar way the spoken word often comes out of the templated body itself, as if crystallized - spelled (in its two meanings).
"Precisely when we no longer think in language, we begin to feel it; we begin to have it streaming in us, and out from us, as an element of feeling". Coming back to your question, I think I’ve illustrated how feeling-based pursuits can be the most direct way to spiritualize language. The side of thinking comes in parallel, but less directly, since it requires more solid higher development, to rise above the linguistics level, and then descend in it again, in purified words. As Steiner said in Knowledge of the Higher Worlds, about feeling-developing exercises:
Steiner wrote:When he practices listening without criticism, even when a completely contradictory opinion is advanced, when the most hopeless mistake is committed before him, he then learns, little by little, to blend himself with the being of another and become identified with it. Then he hears through the words into the soul of the other. Through continued exercise of this kind, sound becomes the right medium for the perception of soul and spirit.
https://rsarchive.org/Books/GA010/Engli ... 2.html#2-1
I think you are failing to see how the feeling-richness of language Steiner is speaking about is attained from the 'side of thinking'. There is no other parallel 'side of feeling' that we need to first pursue, and in fact if we let our personal feelings guide us in the sounding of language, we are likely to go astray in orienting to the deeper spiritual meaning of the language. We are then underestimating how badly our soul currents are disorganized by default, and how likely they are to lead us astray in our feelings and sensitivities to perceptions. Our lucid sensitivity to the archetypal gestures of perceptual forms (including language), only grows when we recover archetypal feeling through the entry point of thinking, where we are most intuitively awake to the lawful flow of perceptions and where we are relatively free from lower preferences, opinions, passions, etc. (hence the ability do philosophy and science). The practice of "listening without criticism" is only possible through thinking, where we can ignore/renounce our personal sensitivities and antipathies that normally get triggered by the outer expressions of another soul's inner life. Thinking is always the entry point to let archetypal feelings grow within us. KHW makes that clear and the exercises presuppose a highly developed and dispassionate intellectual life and strength of concentration.
Steiner, KHW wrote:It is not surprising that all this appears to many as illusion. “What is the use of such visions,” they ask, “and such hallucinations?” And many will thus fall away and abandon the path. But this is precisely the important point: not to confuse spiritual reality with imagination at this difficult stage of human evolution, and further-more, to have the courage to press onward and not become timorous and faint-hearted. On the other hand, however, the necessity must be emphasized of maintaining unimpaired and of perpetually cultivating that healthy sound sense which distinguishes truth from illusion. Fully conscious self-control must never be lost during all these exercises, and they must be accompanied by the same sane, sound thinking which is applied to the details of every-day life. To lapse into reveries would be fatal. The intellectual clarity, not to say the sobriety of thought, must never for a moment be dulled. The greatest mistake would be made if the student's mental balance were disturbed through such exercises, if he were hampered in judging the matters of his daily life as sanely and as soundly as before. He should examine himself again and again to find out if he has remained unaltered in relation to the circumstances among which he lives, or whether he may perhaps have become unbalanced. Above all, strict care must be taken not to drift at random into vague reveries, or to experiment with all kinds of exercises. The trains of thought here indicated have been tested and practiced in esoteric training since the earliest times, and only such are given in these pages. Anyone attempting to use others devised by himself, or of which he may have heard or read at one place or another, will inevitably go astray and find himself on the path of boundless chimera.
Someone who simply begins with Victoria Hanna and tries to feel their way into the language, for example, will never understand the deeper significance of what is being expressed there. They won't have the proper supersensible concepts to associate with these perceptual expressions. We can only mine so much value for higher development from such presentations because we have already livingly explored so many such concepts, and we explore them even more when presenting such things for discussion in the spiritual scientific context. Think about all of her 15.2k YT subscribers. How many of those people do you think have used her work as an entrypoint to spiritualize the intellect and its verbal artforms in ordinary life or philosophical-scientific inquiries? We need to get back to PoF 101 here, and this is why I brought up the boredom comment before.
Why would you suddenly begin emphasizing this imagined parallel feeling track of spiritualizing the World Content, when all the phenomenological essays that we have worked through here emphasize how we need to start from the exceptional state of thinking, based on the whole course of spiritual evolution? We have had a few similar discussions before, for example here, and I couldn't quite figure out what was motivating this approach then, either. Perhaps you feel the phenomenological approach does not yield enough sensitivity to our inner gestures, and therefore enough advance toward spiritual sight (higher cognition). Perhaps you experience it as 'missing something', reaching a fundamental limit if we don't add in another parallel track. This comment before seemed to point in a similar direction:
Federica wrote:As a consequence, the common denominator among all triangles is experienced as only a verbal symbol. The sense is that the only collective element is the mere token. This is one major problem of our language habits. And, even when pictorial thinking and imagination are worked with, this imprisonment in the words-in-themselves tends to persist. It’s a pervasive linguistic modality of today, that does not just dissipate the moment the power of images is discovered. We still tend to externalize language to the space of words-in-themselves, where we use it as mere encoding of abstract, unpictured, definitional, operable concepts.
It is true that we don't suddenly dissipate all lower habits and temptations when we enliven thinking, but again the temptations are not a function of language/perception itself. Does this remind you of Eugene at all? Remember how he would say that we are stuck in the dualistic state unless we add in a more 'pure experiential' path of Oneness. Yet even with the latter, he had to admit that he could not figure out how our daily thinking experience could be spiritualized and hence he began speculating about the Demiurge that imprisons us within this strata of cognition during life on Earth. I think the 'word-layer' is functioning similarly for you, in so far as it feels like a prison whose doors can only be unlocked, not through our living thinking from within the word-layer itself, but through some other layer that we can access more directly. If that isn't the underlying feeling, why do we need to have this dual-side approach to spiritualizing the World Content?