AshvinP wrote: ↑Thu Nov 21, 2024 1:56 pm
It may be useful to ask in these situations where the meaning is ambiguous, if we were using 'collective unconscious' (for example) as a symbol for phenomenological realities, how would we understand its meaning? I know that I have often come across this same situation where I am unsure if a thinker means something in one way or another, and it's easy to assume they are flowing along with abstract thinking habits (usually they are). Lately, unless a person is explicitly weaving together metaphysical theories, I try to give the benefit of the doubt and seek the ways in which their concepts can be understood as phenomenological descriptions. If more people gave that same benefit when approaching spiritual science in the archive or on this forum, a lot of misunderstandings and skepticism would be cleared up.
Ashvin,
I have listened again, following your advice to actively search for the possible ways in which JPs thoughts could be expression of a fully phenomenological perspective. That's what I’ve thought, as a result.
“The objective mapping of the symbolic world” that JP ascribes to LLMs, is a purely quantitative mapping. What is weighed, measured, and then mimicked are: the frequencies of occurrence of words and constellations of words in the vicinity of other words and constellations of words; and the quantitative relations, or laws, that can be extracted from those patterns of frequencies. These laws are then used as guidelines to compose quantitatively lawful word-sequences. And when we read those sequences, they sound familiar to us, we can’t help the feeling that there is cognition behind them. In other words, these
outputs are elaborated within the boundaries of the purely sensory-quantitative plane. Obviously there is cognition behind the LLMs, but there’s no cognition
behind their outputs, although cognitive activity typically gives rise to constellations of words showing patterns comparable to those outputs.
With this in mind, let's go back to the
video. Whoever says that LLMs
objectively map cognition, does exactly like the kind of natural scientist who says: “When we measure natural phenomena we have no
theory, we just do observations and measurements, and what we get is an objective mapping of reality. We simply hold ourselves to pure phenomena.”
What that natural scientist does for the sensory world, JP does for the symbolic world. He says quote-unquote, LLMs-have-mapped-out-the symbolic-world, objectively. The natural scientist who claims to stick to objective mapping of natural phenomena, actually operates under the more or less unseen guidance of a theoretical outlook, rather than a truly phenomenological approach, in their inquiry. In the same sense, JP says “It’s
indisputable, it’s not a matter of opinion”, that is, it’s pure
phenomenology. But, in truth, his contentions about what LLMs do are elaborated within the context of a
certain outlook. Though he sees it as an indisputable evidence - a phenomenology - he has an unseen theory of what a symbol is, and I would confirm that he explains what a symbol is in the same way
the concept has been defined on this forum - like an ideal point of balance. That theory is what informs his views on LLMs, and makes him equate their output to an objective mapping of ideas which is “far better than any mapping we humans ever created”.
To his credit I would say that, without Steiners or similar guidance, it is very tricky to stick to phenomenology while exploring human cognition.
It’s more than easy to end up equating concept and word because, when we go from the mental picture of all the single flowers we may think of, to the collective concept of flower (another mental picture), we feel we must give up the specific sensory features in each of the singular mental pictures. From there, it’s only a small gesture to get sucked into the symbolic power of the word, and consider the word-symbol “flower” as the perfect candidate to recognize as that collective concept of flower, free from the particular flower features such as color, scent, etcetera. In fact, the word is only the ex-pression of the concept in sensory symbols. As Steiner says, words can do no more than draw our attention to the fact that we have concepts.
Within such a (mis)conception, we understand why JP says: “the symbolic world is the weighing of ideas”. For our part, we know that, from a phenomenological perspective,
the concept is the weighing of ideas, the point of balance: we appeal to our life experience of witch encounters, and we stabilize that hyperdimensional meaning into a manageable, conceptual point of balance that we can handle in our limited thinking flow rate, that has to proceed slowly, from one mental pic to the next. JP calls this point of balance “the center”, but what he fails to see is that the overdimensioned (for our cognition) witch-idea is scaled down into the concept of witch, not the word-symbol “witch”.
Saying that the symbolic world is the weighing of ideas, and that LLMs do that, would be like admiring a beautiful portrait painted in realistic style, and state that the inks and the beautifully nuanced visual effects obtained by means of inks and brushes are the weighing of human life and spirit. We miss one crucial step when we think like that: the painter!
Similarly, when we say that the LLM weighs ideas, we miss a crucial step: the LLM ideators in the background, and take the outputs instead as an objective mapping of meaning.
While the portrait surely evokes a specific meaning for us - it makes us think of the real person portrayed, of their life and spirit, inbued by the painter's way - we are very aware that the ink doesn't encapsulate that life. It only gives us a perception somewhat comparable to the one we would experience when seeing the real person. In the same way, the output of LLMs gives us a familiar symbolic experience somewhat comparable to the one we could have if we had come to the linguistic output through our own cognitive capacity or through reading a poem by William Shakespeare. But it’s a dead end, there’s no poet or painter or portrayed person behind that sensory layer.
PS: I have an additional idea, to highlight the same point from another angle (I would prefer if Cleric could confirm this one, though). In our discussions, we have often distinguished the purely sensory aspect of language - the shape of the letter characters; the sounds articulated in the spoken words - from the layer of meaning conveyed by these combinations of sensory cues, once the particular language has been learned. Now, we can notice that, in a LLM, these two layers are actually the same layer. That would probably require even more computational power, however, instead of guessing the next word, we could imagine a LLM that guesses the next ‘digit’ in the sentence, space or letter. It’s only a convenience to use the word scale in LLMs. The fact that we do use that convenience, may trick us into investing the outputs with more meaning than they can bear, since
we have learned the language of reference. But the LLM does not know that language. It could just as well do the same job based on characters (though with different principles implemented in the algorithms). Therefore, meaning is to be searched one level up, in the background, in the conception that has resulted in the LLM technology, not in the LLM outputs.