Cleric K wrote: ↑Tue Oct 24, 2023 9:26 amHere we should distinguish two situations. Breathing as exercise on its own can be useful and we should certainly have some breathing tricks in our ammo pack. These are especially useful in our daily life when we need to quickly restore balance. Several slow deep breaths with freezing in concentration for a few seconds on top, are indispensable tools. It is even better when they are combined with some thoughts. I’ll paste here what I wrote to you some time ago:
1. We breathe in and at the same time think the words:
May the Divine Name be hallowed within me.
2. We hold the air and think the words:
May the Divine Kingdom come within me.
3. We exhale and at the same time think the words:
May the Divine Will be done.
Now the second situation is when we’re seeking the higher states of consciousness. In that case breathing should not be used as the primary means. Steiner has especially warned about this. Otherwise, it is relatively easy to achieve some altered form of consciousness through breathing. For example, if we breathe deeply and quickly for 20-30 seconds (hyperventilating) and then we hold the breath, freezing in concentration, we’ll certainly feel a tingling wave spreading in all directions and maybe some fleeting Imaginations. But this, just like all the other methods of forceful loosening of the bodies, can’t be used with good results for attaining higher cognition.
This doesn’t mean that breathing should be ignored. It is very important. Our whole astral body pulsates in the breathing rhythm. The thing is that the astral body should dictate the rhythm and not the intellectually motivated breathing will. I was thinking how to give a clearer example of this and the following comes as a kind of exercise.
We can imagine a small fluffy feather in our mind’s eye.
Then we can imagine the air element within us and everywhere. For simplicity, we can disregard the physical breathing apparatus and consider only the air. When we breathe in it is as if the air is sucked in from all directions towards our center (chest region). When we exhale, we do the opposite – air expands in all directions. We are like a sphere of air.
Now think of a feather like the above floating in the air. Think how even our gentlest breath carries it away. This leads us to the exercise. When we concentrate on the feather image in our mind’s eye, we try to make our breathing so slow, smooth and gentle that the feather barely moves. We should picture the pulsating air sphere caressing the feather. This would be very easy if we hold the feather in our mind as if nailed. Then we can imagine even a strong wind and it will stay in place. But we have to be very gentle. The feather should feel weightless, we shouldn’t touch it in our imagination with anything solid – only with the air.
The goal of such an exercise is to feel how we don't modify our breathing in hope that something will happen as a result but instead we work directly with the ideal and allow it to inspire the corresponding breathing. This smooth inner soul space is a necessity for proper reflection of the Imaginative. The smooth surface of the lake (or the pond from our talks) in which the mountains and stars reflect is almost a cliché, but it is nevertheless true. Yet instead of mechanically smoothing the surface, we should do that in response to the mountains and stars (or feather) that we want to behold. Thus to the question “what should my breathing be in meditation?” we should answer “whatever the soul space requires in order to manifest its rhythmic and beautiful musical forms”. And of course, one of the best exercises is breathing the light of the Sun (especially in early morning, ideally at Sunrise). With every breath we should try to feel the Divine Ideas that need to be accommodated in our soul. Once again, we should do that with openness as if we want the incoming Inspirations to entrain our breath.
Thank you, Cleric, for reminding of these important exercises and providing a new one. The feather exercise also seems to be a great allegory for how we are generally trying to wean our soul-life off of conceptual activity that tries to mechanically patch together higher experiences, perhaps by seeking out certain traditional models or practices and using them as a 'playbook' for our understanding and development, and rather adopt a stance of conceptual attunement where our concepts remain plastic and we allow them to be dynamically shaped by "whatever the soul space requires in order to manifest its rhythmic and beautiful musical forms."
The inward stance of allowing our conceptual life and even our deeper physiological life to be entrained by the inflow of higher ideations is a powerful one. One could also depict it imaginatively as the plant seed shooting forth in a generally concave gesture that allows itself to be drawn upwards by the Light, as Federica and I were discussing on the other thread, whereas the habitual conceptual (and therefore breathing activity) is more like the arrow or spearhead thrusting itself upwards. We can even start to sense this in our habituated breathing rhythm that unfolds in fits and starts with rough edges, so to speak. There is a certain oppressive gravity to this sort of breathing rather than the levity we find in the plant world.
Adams and Whicher wrote:It is a wonderful paradox of Nature that the upward-shooting plant brings forth materials and forms which both in use and in appearance are proverbial for their radial penetrating power, yet there is little of this quality in the way they first come into being. The upright stem does not thrust its way into space like an arrow or a spearhead. The upward-growing power of the shoot is indeed one of the mightiest phenomena we know, and the eventual outcome of it is a thing of strength in the realm of earthly pressures and tensions – formed into pillar and pile, spike and ramrod for human use from ages past. Yet it was not with this earthly-radial quality that the growing shoot made its way up and outward.
Not only are they young growing tissues delicate and watery ; the same is true of nearly all living, growing things, including the downward-tending root which has indeed a radial quality of form and growth. It is not merely the delicate material ; it is the form, the gesture of the growing shoot to which we specially refer. Describing it exactly as we see it, the typical phenomena at the growing-point is the very opposite of a spearhead. What we behold at the tip of the growing shoot is concave and not convex ; it is a hollow space we nearly always see...
The concave quality of upward growth is an essential feature of the impression we receive from the green plants that bedeck the Earth around is. The plants live by the light, coming to Earth from the Sun, from cosmic spaces. Pictorially, it is as though each single shoot were reaching out to receive and hold its portion in the light. All this contribute to the peculiar feeling of freshness and buoyancy the plant-world gives us. Leaf and leaf-bearing branch, as they grow older, do indeed tend outwards a planar and even horizontally flattened form. ; yet for the most part they retain something of the up – and inward gesture. Where the leaf does not flatten to the likeliness of a planes, it is indeed not always but in the majority of cases concave on its upper ventral surface.